Monday, 31 January 2011

OPENING OF OUR THRILLER - Who Am I?





Preliminary Task- Joe Gleave, Olivia Davies, Naomi Angel and Sam Hickson

Sunday, 30 January 2011

EVALUATION

Question 1: In what ways does your media product use, develop or challenge forms and conventions of real media products?
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Question 4: Who would be the audince for your media product? 






















Question 3: What kind of media institutions might distribute your media product and why?



Question 5: How did you attract/address your audience?



Audience Member Interview



Question 6: What have you learnt about technologies from the process of contstructing this product?



Question 7: Looking back at your preliminary task what do you feel you have learnt in the progression from it to the full product?



Question 2: How does your media product represent particular social groups?

Saturday, 29 January 2011

Section1: The thriller genre

The Heroic romance-
This is where the hero of the film is shown to be normal and they are forced to act out of circumstance, and they will fall in love with the damsel in distress figure in the film. This technique is shown in Angels and demons where in the end the heor of the film ends up with the sub character who was a woman.

The Exotic-
This is something in the film that doesn't fit in with the narrative, this could be a person or even a place.
This is used in seven where detective Mills' wife is never seen outside the home and is always in white and looking pure and innocent and this derives from the narrative because of the murders.

Mazes and labyrinths-
This is when the narrative of the film is filled with twists and storyline dead ends so that it keeps the audience guessing and keeps them entertained. This can be seen in the movie The DaVinci code because there is a plot twist at the end of the movie.

Partial vision-
This i where the narrative of the film deliberatly hides certain information from the audience by only giving them slight ideas. This is shown in Se7en when the audience are shown the murder scenes and not the actual murders taking place.

Concealment and protraction-
This is the deliberate hiding of information from the audience that is vital to the narrative, this is normally in the form of te hidden identity of the killer of of the possible outcome of the film and this technique is shown in Se7en because we dont get to see the killer or know his name until the end of the movie.

Question answer model-
this keeps the audience asking questions of the narrative like whats going to happen and who is going to be killed next and these are frequently used in American psycho becaue the audiend didn't know who was next to be killed or what the killers motives for killing were.

Tranformed city-
This is where the setting of the narrative is a normal place that doesn't seem to have to much happening and it is turned upside down by a killing or something bad and this is uses in The DaVinci code because in the opening is a nice city (Paris) and an art gallery (The Louvre) and this nice setting is overshaddowed by the murder that takes place.

Definition of a thriller-
This is a genre of film, literature and television and it is a genre that uses suspense, tension and excitement as its main elements and this is for the audiences entertainment. Such uses of the thriller genre are as follows
  • Seven- psychological/ crime/ religious thriller
  • Jaws- thriller
  • The DaVinci code- crime/ religious/ conspiracy thriller
The thriller genre can also have what is known as a hybrid. This is the combination of more than one genre or subgenre. The thrillers Seven and The DaVinci Code are hybrids because they have more than one element in them.

(image from Psycho 1960)




(image from Silence of the lambs 1991)



(image from The Strangers 2008)



Wednesday, 26 January 2011

Section 2: Seven Analysis




Narrative structure:
  • Seven starts with a murder scene
  • The character detective Mills is married, and his partner detective Somerset lives alone
  • there is a police investigation about the murders that are happening
  • all of the murders coincide with the seven deadly sins which are(Lust, Gluttony, Greed, Sloth, Wrath, Envy and pride)
  • The killer has religious motives (at his home he has lots of religious items and relics)
  • Set over seven days which coincides with the ammount of murders/deaths that take place
Thriller codes and conventions
  • Muder scene (corpse, blood)
  • Police, detectives, investigation
  • Dark and murky buildings or rooms (usually where death has taken place)
  • Music creates tension for the audience and creates alot of suspense
  • Killer has a strange motive for murdering someone (religious, psychotic)
Camerawork:
  • Tilts and mid close up show authority of Mills and Somerset, also shows emotions
  • Tacking in towardscharacters shows them getting closer to something (brings audience into the scene)
  • Worms eye angle shot shows authority of the police and detective's Mills and Somerset
  • Mid close ups and longshots of characters keeps the focus on the characters and their emotions and reactions and not the setting they are surrounded by
  • Over the shoulder shot of Mills and Somerset walking down stairs with police in front of them shows that they have higher authority than the regular police. also shows their importance of the film to the audience
Mise En Scene:
  • Dim lighting is symbolic of Death
  • Setting has a city apartment for Sommerset and Mills' homes
  • Murder settings are mostly small apartments (possibly shows that the murders were secret as nobody knew about what was happening at the time)
  • Costumes are typical detective clothing for Somerset and Mills (hat, mac, shirt, tie)
Sound:
  • Diegetic- rain, conversation, cars, guns, shouting
  • Non-diegetic- music was mostly played at murder scenes and it was very slow and droning, this created tension and suspense for the audience. Also the opening credits had very bass beating music with hints of screams in the background (created the mood for the film)
Editing:
  • Blurring of depth of field draws the audiences focus on the characters
  • Match on action when Sometset grabs his glasses
  • Opening credits has lots of superimposed images of dark evil looking images
  • Establiching shots all the way through the film to show the audience where the action is going to take place
  • Opening credits have lots of fade in/out of the dark gruesome images on screen
  • Crosscutting from each of the detectives different lives except when ther together
  • Elliptcal editing from when Mills and Somerset aredriving to the first crime scene (time and journey has been fast forwarded for audiences entertainment)
Graphics:
  • Opening credits has lots of white scribbl style writing against a black background (makes it stand out to the audience)
  • Pale and white tint overlays on the shots of the early morning
  • Green and red tints in the murder scenes creates imagery and recognition of death and mystery
  • red blood spattered on the white walls brings attention that a death has taken place to the audience

Tuesday, 25 January 2011

Section 2: Donnie Darko Analysis



 Narrative structure:
  • The opening scene is of the character "Donnie", and he has woken up in the middle of nowhere and he then rides home looking really confused ad to how he got there
Codes and conventions:
  • Music that creates mystery to the audience
  • Transformed city - set in suburbia but it has a twist to it
  • Partial vision because the character does not know or the audience does not know how he got there
Camerawork:
  • Establishing shot of the woods in opening scene and this shows the audience where the action or the narrative is going to take place
  • Tracking left in establishing shot of the middle of nowhere to show the audience that the character is surrounded by absolutely no civilization where he is
  • First person perspective shot when Donnie is riding home to create awareness of what the characters is seeing to the audience
Mise en scene:
  • Setting- woods or the countryside, small suburban town
  • lighting- dim to show audience that it is early morning
  • mid shot of characters to show his reactions and emotions to his whereabouts
  • costume is messy dirty night clothes and this is so the audience can make the connection with  the early morning setting and the narrative so far
Sound:
  • Diegetic- birds, bike tyres
  • Non-diegetic- slow ominous music at start of scene which is used to draw the audiences attention, then it goes into a soft piano tune which links well with the early morning setting because its relaxing. Then there is some soft singing voices when Donnie is riding home and these get louder until there is an anticlimax at the end this is to create suspense and tension within the audiences emotions and reactions to the scene 
Editing:
  • Fade in at start of scene  from black opening credits to opening shot
  • superimpose when the film title gets posted into the shot
  • fade out  when the shot  goes to a blank white screen
  • elliptical editing when Donnie's on his bike riding home and this is to make his journey seem to go quicker to the audience
  • continuity editing is used lots of times when Donnie is riding home because each time he is back on screen he is in a different place and this creates a story that he is getting closer to home
Graphics:
  • White writing in opening credits against a black background( this is used in alot of thrillers and it could be considered a code and convention)


Monday, 24 January 2011

Section 2: The Da Vinci Code Analysis

Narrative structure:
  • An old man is running from what appears to be danger in an art gallery/ museum. It is then revealed to the audience that he is running from a man with a gun and when the man catches up to the one running away he wants information from him and when he is told he then shoots the man who was running away.
Code and conventions:
  • Disstorted camera sequences
  • Music that creates tension or mystery with a final climax (sometimes before the action takes place
  • Partial vision- dont see the killer until the end of the sequence at first all the audience see is his shadow moving across the wall of the art gallery/ museum
  • Concealment and protraction- killer is hidden from the audience this creates this creates mystery to the audience
  • killer usually has some form of a weapon, in this case its a gun, and the killer usually has some form of a religious or psychological motive. In this case its religious
Camerawork:
  • pan/ crab right leads the character into shot and also introduces him to the audience
  • tilt down brings us directly behind the character and shows audience the direction of the action
  • close up of the paintings eyes on the walls to show the audience that it looks as thought the eyes are following him to his death
  • birds eye shot with track in and this makes it look as though something is swooping down upon him e.g. death
  • close up of killers face shows anger, control and any other emotions the audience may get from his facial expressions
Mise en scene:
  • movement and expression- the killer is standing and the old man is on the floor, this shows the vulnerability of the old man and the power that the killer posseses
  • Long shot of character running and this suggests to the audience that something is happening
  • setting is and art gallery (the Louvre in Paris )
  • the old man clothes are old fashioned and this is a reflection of his age and also his possible profession 
  • the killers clothing is the same as a monks which suggests to that audience that he is a religious man with a religious motive for killing
  • the lighting is dark on one side of the room and then light on the other and the old man runs from the light side to the dark side which suggests he is headed for doom
Sound:
  • diegetic- running footsteps, worried moans (creates tense atmosphere), gun shot
  • non diegetic- choir orchestration and classical music which creates mystery and suspense. all of the tones were ominous and dark and deep which is a hint at danger
  • there was no music in the death scenes and this draws the audience attention as well as creating suspense
Editing :
  • fade in to opening sequence
  • continuity editing, lots of sequences of the old man running through the art gallery and it shows how his setting within the gallery has changed
  • shot reverse shot on the killer and the ol man talking before old mans death
Graphics:
  • Large bold white text against the black background which makes it stand out to the audience

Sunday, 23 January 2011

Section 2: Jaws Analysis


Narrative structure:
  • Calm relaxed teenage beach party and then a boy and a girl run off own the beach together to go swimming. The man is to drunk and passes out on the beach but the girl has already gone swimming, then she gets attacked by an unknown source and she gets killed
Codes and conventions:
  •  Music that creates suspense, then goes quiet like there is something wrong
  • death scene
  • sometimes sound suspense before death scene
  • dark or dim lighting to create the mood for the audience
  • anticlimax
  • Transformed city-  calm quiet place that gets turned upside down by a shark attack
  • Partial vision- we assume that it is a shark without seeing it because of the film title
  • question answer model- we assume that she will be attacked by a shark
Camerawork:

  • First person perspective of what the shark would see underwater allows the audience to see what is more than likely going to happen to the girl in the water
  • close up of girl during the death scene, shows the look of horror and the pain on her face to make it seem more realistic to the audience
  • shot reverse shot when the boy and the girl are looking at each other on the beach
  • long shot of the girl in the see and it shows how vulnerable she has become and now the audience can suggest that she id going to die
Mise en scene:
  • dim lighting on beach which creates a relaxed feeling and links closely to the relaxed beach party atmosphere
  • calm water when the girl dissapeard under the water
  •  setting is at the beach
  • regular young people clothing baggy fashionable for the era
  • lighting goes darker when the boy n girl run off together down the beach suggests their heading for danger
Sound:
  • diegetic- water, and waves connects with the setting of the beach, also there are the screams of the girl when she is being attacked and this i vital for creating fear within the audience
  • non diegetic- classic jaws theme, also the music creates alot of tension towards the impending doom that the girl is heading towards

Graphics:
  • White text stands out on the black background in the opening credits, also it is in bold font just to make it stand out a little bit more.